Flexible bidding, not a flat rate
Example layoutUMP: omit a shot or move it from 3D to 2D, and its price comes off the bid at once.
The budget is built shot by shot, so when the money changes you cut, add or swap shots, and the figure follows.
VFX for indie films
Low-budget VFX works when every shot earns its place. Send the script and get a VFX budget built shot by shot, for the financing plan, a market or a sales agent.
Your indie feature needs a VFX figure for the financing plan, a market or a sales agent.
You already have a VFX budget for the film and want to check it against the script before the money is spent.
Our approach for productions where every line of the budget counts:
UMP: omit a shot or move it from 3D to 2D, and its price comes off the bid at once.
The budget is built shot by shot, so when the money changes you cut, add or swap shots, and the figure follows.
Every shot is tracked in our own system with its status, versions and delivery date, so the VFX money and dates stay under control.
UMP: the planner levels the team, so fewer people carry the work by the same date.
The schedule and the team are planned around your shoot dates and your budget, and re-planned when the script or the money changes.
UMP: each shot is made the most efficient way for it, so its price drops.
Each shot is made the way that suits it: 2D, 3D, matte painting or comp, chosen shot by shot.
Every VFX scene of the script listed with its cost.
Where a 2D fix or a matte painting keeps a shot affordable, and where a full 3D build is worth the money.
What to prepare for the shoot is agreed before the shoot.
Previs of the key scenes shows financiers what the money is for.
A VFX figure with the shots behind it: for the financing plan, a market or the production budget.
On an indie budget the figure comes down to a few decisions. These are the ones that move it:
The script shows which scenes need VFX and how each one can be made.
A few hero shots and many simple fixes cost very differently.
A 2D fix or a matte painting can keep a shot in the film where a full 3D build would not fit the budget.
A location or a creature built once can carry several scenes.
A shot planned before the shoot is finished in post, not rescued there.
Your dates set the size of the team and the schedule.
You get a VFX budget built shot by shot, which you can explain line by line. Send your script.
Already have a VFX budget? Check it against the script before the money is spent. These are the questions we go through:
Does it cover every VFX shot in the script, or only the obvious ones?
Are the complex shots priced for the work they really need?
Are returning assets built once, or paid for again in every scene?
Is each shot priced for the method it really needs?
Are supervision and data capture on set in the plan?
Is there time and money for rounds of notes and late changes?
Tell us about your budget in the form, and we check it against the script, shot by shot. Send your script.
Both give you a VFX figure. Only one is built from your film.
| What you get | Budget template | Budget from your scriptOur approach |
|---|---|---|
| Built from | General categories | Your own scenes and shots |
| Shows what each VFX scene costs | No | Yes |
| Changes shot by shot when the script or the money changes | No | Yes |
| The method chosen per shot | No | Yes |
| Breakdown behind every figure for financiers | No | Yes |
We deliver feature films end to end. Work with us once, and you won't need to look elsewhere: we solve the hard problems and answer the hardest questions.
Best Special Effects, Golden Dzyga 2026.
Watch the trailerIf your project requires an NDA, we'll gladly sign it. Either way, your material stays protected: only our core team sees it, and every member is bound by a strict NDA that forbids sharing any information received from third parties. Neither we nor they share anything about your request.
It comes down to which scenes need VFX, how many hero shots there are, which method suits each shot, which assets are used more than once and what is planned before the shoot. Send the script and you get a VFX budget built shot by shot, which you can explain line by line.
Check it against the script: does it count every VFX shot, price the hard shots for the work they need, build returning assets once, price each shot for the method it needs, include supervision on set and leave room for changes? Tell us about your budget in the form, and we check it shot by shot.
It does not have to be. Each shot is bid on the work it needs and made with the method that suits it, and what to prepare on set is agreed before the shoot day.
A template gives you the categories. A budget from your script gives you your own scenes and shots, with the breakdown behind every figure for the financing plan or a sales agent.
The bid is flexible, not a flat rate: shots can be omitted, added or moved to another method, and the budget shows what changed.
Yes: the figure comes with the breakdown behind it and, where it helps, previs frames of the key scenes for the pitch.
If your project requires an NDA, we'll gladly sign it. Either way, your material stays protected: only our core team sees it, and every member is bound by a strict NDA that forbids sharing any information received from third parties. Neither we nor they share anything about your request.